11 live versions of tracks from Attrition’s 90’s album period recorded on the infamous “Jeopardy Maze”  tour across the USA in 1999.
Recorded raw and direct from mixing desk to digital stereo master.  

Originally released in 1999, only in Europe through German label Trisol, in a strictly limited edition of 666 .
Heretic Angels has long been out of print. This edition has been re-mastered and artwork completely redesigned by main man Martin Bowes.

On this tour Martin was joined by vocalist Christine Reid and variously James Duffin, Craig Ward and Carl Howard on synths… James returned to the UK halfway through the tour after breaking his leg on stage in Chicago….!

The album is dedicated to the memory of William Tucker. Former guitarist for Ministry. Attrition stayed with him for 2 nights in Chicago while on the tour… he tragically took his own life 2 weeks later…

Now available worldwide for the first time through the bands own Two Gods label.

“Opening with the melancholic viola from Prelude, Attrition quickly shifts gears into the live version of Acid Tongue…which seems more straight ahead, more electro. This is the first chance many fans have to hear Attrition's vocalist Christine Reid’s sultry street smart wail and whisper.
Atomizer sounds remarkably similar to the album version. The Second Hand actually sounds much different. Slower, perhaps, and we finally get to hear Christine really color a song. Her wails lend the song more despair, while on I AM she sounds more stately. In a couple of places, the updated performances add intriguing new touches to Attrition's music. Their classic, Lip Sync, sounds like it could have come off of their last album, The Jeopardy Maze. The Mercy Machine invokes the same effect. Maybe he's using new synthesisers?   Attrition encore with their all-time favorite track, A Girl Called Harmony…Overall, a valuable record of Attrition's live sound”.

Legends magazine. USA. 2000