Click here to listen to Mix & Match 1 

Mix & Match 1

Feelin' lucky? Or just want to expand your musical tastes? Check out The Mix & Match series of eclectic tracks taken from all Voiceprint labels presented by Jon Kirkman.

Menu
Shopping Cart
ItemQty
Credit cardsCheckout
Mailing List
Name:
Address:
Email:
 Join
August Top Sellers
Click here to see the full details for Classical Wakeman Vol 1 - Live in Lugano
1.
Rick Wakeman
Classical Wakeman Vol 1 - Live in Lugano
Click here to see the full details for The Deep Purple MKI Songbook
2.
Nick Simper & Nasty Habits
The Deep Purple MKI Songbook
Click here to see the full details for Roadhouse Blues b/w Hush & The Painter
3.
Nick Simper and Nasty Habits
Roadhouse Blues b/w Hush & The Painter
Click here to see the full details for
4.
Ginger Baker's Airforce
Click here to see the full details for Alive In Paris 1970
5.
Soft Machine
Alive In Paris 1970
Click here to see the full details for An Evening of Yes Music Plus
6.
Anderson, Bruford, Wakeman and Howe
An Evening of Yes Music Plus
Click here to see the full details for At The Symphony Hall, Birmingham
7.
Gordon Giltrap & the Sheffield Phil Orchestra
At The Symphony Hall, Birmingham
Click here to see the full details for Beat, Beat, Beat - Eric Burdon and The New Animals/Episode Six
8.
Various Artists
Beat, Beat, Beat - Eric Burdon and The New Animals/Episode Six
Click here to see the full details for Boots or No Boots
9.
Biblecodesundays
Boots or No Boots
Click here to see the full details for Brahms and The Singing Girls
10.
Tony Palmer
Brahms and The Singing Girls
Newsprint
Click here to download issues of Newsprint in PDF format
Issue Seven
Featuring an audience with Dave Brock of Hawkwind
 
Release
Cover scan for Music for Piano & Drums
 
£10.99
In stock
Buy

Catalogue number
BBWF001CD
Release date
27/09/2004
Format
CD
Label
Winterfold
Moraz - Bruford
Music for Piano & Drums
Disc 1
1. Children's Concerto 2. Living Space 3. Any Suggestions 4. Eastern Sundays 5. Blue Brains 6. Symmetry 7. Galatea 8. Hazy 9. Blue Brains 10. Flags 11. Hazy

Winterfold records is one of two record company imprints that has been formed by Bill Bruford to release Bill’s recorded work with the band Bruford and also Bill’s work with keyboard player Patrick Moraz. Whilst initially the label will be releasing the officially released albums from the period 1978-1985 there will also be the opportunity in the future to release material that has in the past only been available on bootleg and perhaps even material that has never seen a commercial release. Most fans of progressive rock will be more than acquainted with the work of Bill Bruford. Bill first came to prominence with the band Yes when that particular grouping of musicians first came together in 1968. Thirty five years later and Yes are still treading the boards across the world and indeed in their thirty sixth year look to be as popular as they were in their seventies heyday.

Bill Bruford was a member of Yes through the years 1968-1972 and whilst with the band recorded five albums each of which was more successful than the previous album. Bill left Yes in 1972 and joined King Crimson which was possibly the best musical move that Bill could have made and whilst a member of King Crimson Bill recorded three studio albums and one live album which was released just after King Crimson’s enigmatic leader Robert Fripp decided to split the band and move onto other projects. For the next two years Bill played countless sessions and also was briefly a member of the bands National Health, Gong and more famously Genesis where he played alongside Phil Collins who had just stepped up to the microphone following the departure of Peter Gabriel. Bill was the drummer in the live Genesis situation and was with the band for the majority of 1976 while the band toured their album A Trick Of The Tail.

Following his departure from Genesis Bill Bruford and Allan Holdsworth joined with Eddie Jobson and his former King Crimson bassist John Wetton to form art rockers UK. UK managed one studio album and a fair amount of live activity before the band split in two with Jobson and Wetton remaining with UK and Holdsworth and Bruford returning to Bruford alongside Jeff Berlin and Dave Stewart to record the album One Of A Kind which picked up where Feels Good To Me Left off. By the time of the bands next album The Bruford Tapes, which was an official bootleg of sorts, sourced from an American radio broadcast of the band in concert Allan Holdsworth had left the band for a solo career to be replaced by guitarist John Clark. It was this line up of Bruford that went on to record the final studio album Gradually Going Tornado.

Following Bruford Bill Bruford worked with another former member of Yes. Patrick Moraz. Whilst they were never in Yes at the same time both Bruford and Moraz’s roots and influences lie in jazz and it was in the mid eighties that the two musicians came together to record two albums of eclectic drum and keyboard based music. Both Music For Piano And Drums and flags were well-received and included diverse material such as the Max Roach composition This Drum Also Waltzes and self-written material like Living Space. All of the music recorded by Bill Bruford during the years 1978-1985 has a resonance that still rings loud and true today and is being discovered by a new and eager audience for whom the music and performances remain as fresh and as exciting as it was for those who discovered it the first time around. All of the re issues will be re mastered and repackaged for the new generation of fans who want to hear first hand these incredible albums and performances. Of course for the original fans who perhaps own the albums on vinyl now will be a good opportunity to re invest in the re mastered CD re issues which were originally only available for a limited time on CD. Following the albums covered by the time span of the Winterfold label Bill Bruford immersed himself more fully in the jazz world and formed the band Earthworks which sought to integrate electronic drums and percussion into jazz. Music recorded by Earthworks will be covered by releases on the Summerfold record label imprint. In closing; across the two record label imprints of Summerfold and Winterfold there is a wealth of richly diverse and satisfying music just waiting to be discovered all of which has Bill Bruford at the heart of it.

Reviews

Moraz/Bruford Music for Piano and Drums Winterfold BBWF001CD

Moraz and Bruford create a broad tapestry with only two instruments that, considering their primary occupations at the time, must have come as quite a surprise to many of their fans. But reassessing Music for Piano and Drums now, twenty years later, it makes perfect sense. Certainly this project was an eye-opening precursor to what would follow in Bruford's career as a leader...Music for Piano and Drums and Flags are, in fact, the perfect juncture between Bruford's progressive leanings and his future jazz interests.

John Kelman, All About Jazz, Dec 2004

Epithet's such as "lithe", "athletic" "supple" and "constantly in motion" don't just apply to the figure on the cover to Patrick Moraz and Bill Bruford's Music For Piano and Drums. They relate equally to the creators of the music contained in the welcome reissues on Bruford's own Winterfold label.

In 1983 with King Crimson temporarily indisposed, Surrey-based Bruford made contact with near neighbour and Moody Blues keyboardist, Moraz to form a duo that could create a more flexible music, stripped of the trappings and associated costs of their regular day-jobs. Working quickly and efficiently in Phil Manzanera's studio, the pair focused their considerable firepower into eight tracks that surge with upbeat invention and peerless skill.

Though there's an undeniable jazzy vibe to much of what's going on, there's also more than a hint of the symphonically-inclined prog-rock in which both players cut their professional musical teeth. Principally this is most evident in the framework provided by Moraz's likeable and accessible tunes. Though clearly well-structured they offer plenty of opportunities to display the lightning-quick reactions and sharp dynamics best exemplified on the racy epic and original album closer, Hazy.

The probing and inquisitive improvisation, Living Space sounds provides a reflective counterweight to Eastern Sundays, (itself suggesting echoes of Dave Brubeck's Koto Song) whilst the other improv, Any Suggestions has a catch-me-if-can fleetingness about that Bruford excels in producing. Marvellously spiky and capricious, it's closer to the jazz-based material that Bruford would explore more fully in Earthworks a few years later.

Sid Smith's Diary