Patrick Moraz
The legendary Patrick Moraz talks with Voiceprint Web Radio's Jon Kirkman about his solo career, as well as his stints with Refugee, Mainhorse, Yes, and the Moody Blues.
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Newsprint
Issue Seven
Featuring an audience with Dave Brock of Hawkwind
Release
£9.99
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Catalogue number
HAWKVP1CD
Release date
01/06/2001
Format
CD
Label
Hawk
Hawkwind
Live At Glastonbury 1990
Disc 1
1. Magic Of The Earth 2. Angels Of Death 3. Golden Void 4. Brainstorm 5. The Door 6. Ejection 7. Sword Of Dawn 8. Assassins Of Allah 9. Dreamworker 10. Should'nt Do That 11. Images By the end of the 80's, after numerous line up changes, arguments over royalties and the death of Robert Calvert it looked like the end of Hawkwind.
But with yet another new line up, the album Space Bandits was issued on Castle to great acclaim, with the band's date sheet fuller than ever, playing dates with the new breed of festival acts such as Ozric Tentacles. This gig was recorded at the band's spiritual home Glastonbury at 5 a.m. in the Travellers Field, it is previously unreleased and includes a blend of old and new material.
But with yet another new line up, the album Space Bandits was issued on Castle to great acclaim, with the band's date sheet fuller than ever, playing dates with the new breed of festival acts such as Ozric Tentacles. This gig was recorded at the band's spiritual home Glastonbury at 5 a.m. in the Travellers Field, it is previously unreleased and includes a blend of old and new material.
Musicians
Bridget Wishart::vocals.
Dave Brock::vocals, guitars, keyboard.
Alan Davey::bass, vocals.
Harvey Bainbridge::vocals, keyboards
Richard Chadwick::Drums.
Reviews
In 1990, the band line-up on this 53 minute CD is: Brock, Bainbridge (now on keyboards), Davey on bass, Chadwick on drums, and Bridget Wishart on vocals.
Besides the introduction of female vocals to the band's sound, during this period Hawkwind's thematic focus shifted to American Indian mythology (circa their "Space Bandits" album).
"Live at Glastonbury 1990" does not draw upon this material however. The songs here are generally old classics: "Golden Void", "Ejection", "The Assassins of Allah", "Shouldn't Do That", and the obligatory and always stunning "Brainstorm".
Generally, though, Wishart's vocals are drowned out by the masculine accompaniment. While everything else gets washed out by the over-prominent guitar. Even the powerhouse drums are a background element. In fact, much of this recording has deplorable sound quality-it's an audience tape, complete with annoying audience members who won't shut up, and even a dog barking every once in a while.
Which is such a pity, for the performance is dynamic and tight, attributing new riffs and interpretations to the music.
