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Cover scan for Live at the Uncon 2006
 
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Catalogue number
VPDVD46
Release date
19/05/2008
Format
DVD
Region: 0
Sound: Stereo
Classification: E
Label
Voiceprint
Acid Mothers Gong
Live at the Uncon 2006
Disc 1
1. Teapot in Ruins 2. Tsunami Magick 3. Invocation of the Interior Motive 4. Steve & Miquette Interview 5. Invisible 6. Voices 7. Asteroid Ointment

When the Acid Mothers Gong band manifested in 2003 it was yet another story in the evolving history of Gong, which started in 1968 in Paris.

Daevid Allen had returned there after being refused entry to U.K. for visa reasons when on the way to the Edinburgh Festival with Soft Machine so he put his energy into Gong which quickly came to the forefront of the avant garde. Paris was heating up for the Revolution of workers and students against the Government, and Daevid with Gilli Smyth, had to flee as revolutionaries. They were in danger of being arrested for playing music to the students. After a disastrous trip to Morocco, they returned to Paris in 1969 to play at the Amougies Festival. They made several albums, and lived communally, which was an inspiration to that generation, and in 1971 Actuel Magazine voted them the best alternative band in France.
By l975 the band had moved to the U.K and both Gilli Smyth and Daevid Allen had left to pursue solo careers with their own bands such as Mother Gong, New York Gong, Gong Maison, PlanetGong and eventually Acid Mothers Gong.  As Steve Hillage said "nobody ever left", and the history of Gong has been ever changing, like a river.

Acid Mothers are a collection of improvising musicians with formidable technical skills and a philosophical stance that has placed them at the tip of the Japanese underground iceberg. With more than 100 CD’s to their name, they have a massive cult following internationally and are well known for never having played the same song the same way twice! They were the perfect choice allowing Gilli and Daevid to go where few have ventured.

Daevid and Gilli recorded an album in Australia with Acid Mothers in 2003, toured Japan with them a couple of times, and played the set (which is now this DVD) at the "Unconventional Gong Gathering" in Amsterdam in November 2006. The recordings from that event were mixed and mastered by Harry Williamson at Spring Studios in Melbourne, with assistance from Daevid Allen, and Harry also did the psychedelic video edit, and created special effects which complement the music perfectly.
This DVD is of  a magical combination of musicians coming together to push the boundaries of improvised music - the line up is Daevid Allen, Kawabata Makoto, Gilli Smyth, Higashi Hiroshi, Yoshida Tatsuya and Atsushi Tsuyama with special guest  Josh Pollock from the University of Errors.

 

 

Reviews

"This amazing DVD was shot at Gong’s three-day festival at Amsterdam’s Melkweg Club. I must say that the Gong Uncon 06 surely was every Gong fan’s wet daydream, and I’m personally really pissed off that due to financial and family matters I couldn’t attend. Well, luckily also some official releases from the convention have been starting to appear to fill this huge black hole a little bit.

This time around, Acid Mothers Gong was formed by Yoashida Tatsuda, Kawabata Makoto, Atsushi Tsuyama, Hiroshi Higashi, Gilli Smyth, Daevid Allen and Josh Pollock from University of Errors. This is the first full live DVD released by AMG and it includes very delicious, mad and psychedelic improvisation all right.

First we’ll get a well-rehearsed and composed section, as the drummer Yoshida Tatsuda gets to show what he’s capable of with pre-recorded, very progressive and technical backing in a drum solo called ”Teapot in Ruins” that functions as an intro for the gig. Right after that the ”normal” Kawabata solo attack begins while the rhythm sections jams along and Hiroshi creates some spacey atmospheres with his synthesizer in an improvisation called ”Tsunami Magick”. Soon also the rest of the gang creeps on stage and Allen begins his funny and wonderfully weird, effected narration. Some very Daevid Allen-like poetry is also shown on screen... Little by little the track starts to rock pretty wildly, and this is tight going! Towards the end also Allen gets a guitar and the chaotic music just blows your mind. This long track is entitled ”Invocation of the Interior Motive”. Then follows, maybe a bit surprisingly, a short snippet of a Steve Hillage and Miquette Giraudy interview where they wonder just how psychedelic the AMG gig really had been.

”Invisible” starts off with a traditional, trippy Gilli Smyth space whispering and psychedelic affects. Soon Allen starts his glissando guitar thing but the track stays pretty ambient in nature. ”Voices” continues in the similar style but soon explodes into motion as ”Asteroid Ointment”. Kawabata plays with a bow and Pollock drives himself into a freaky frenzy. After the furious acceleration there’s still some wacky singing by Mr. Allen. After the short Kawabata interview clip we luckily still get an unlisted version of the Acid Mothers Temple live standard ”Pink Lady Lemonade” and especially Allen’s manipulated vocals and guitar playing give it some brand new dimensions... Everything of course leads to pure chaos again. Excellent! Then follows some duet vocal whimsy by Allen and Smyth after which there comes some pretty vague, distorted and experimental freak-out. Later on also Atsushi does some singing for a while and then the wild rocking starts again and Kawabata really tortures his guitar. Then they return to the ”Pink Lady Lemonade” theme in a very serene mode. Soon the track grows again for a while. Finally, we still get the hypnotic Gong classic ”Master Builder” that pours deep into your consciousness and it’s here, at the latest, that the band wildly goes for totally unrestrained delivery. Wow!

Harry Williamson’s direction is a homage to the music of AMG, and I really like that he has included a suitable amount of silliness and for example pieces of Kawabata interview and some footage of Allen at the sound check. The lightshow was originally already very psychedelic, but there are some added effects which works out great. There is also a four-sided booklet inside the cover with Allen’s AMG illustration, comments by Steve Hillage and the AMG Anti-Manifesto. This is a must-have for all the Gong fans out there!"

D J Astro, Psychotropic Zone